Nothing can against the fragility of the past. By nature present sweat wears it out. Nothing can go against the drift, the permanent erosion of “remembrance”. The memory slips between out fingers. It leaves us speechless. Because of time. The arrow that pierces like death at the heart of each moment. It spears us. And we are insects despite ourselves. Ephemeral to time scale. We can only resist or accept; light & volatile or shielded, stuck & fatalistic. I prefer the butterfly. It’s maybe the only being to lightly carry the weight of its brief destiny: he flies. So I photograph the volatility and the small music of time that passes. And the traces of forget on the memory. In photography there is a strange anchoring to time, in light and silence. And memory also. The creative process of my pictures is like the process of remembrance. My work is often made of series: it proceeds the collection and juxtaposition. It functions like lots of memories , fragments of time recorded and juxtaposable. I try to reconstitute the complex memory process in photos that allow no focal point, a visual play that mixes, condenses, superposes different images as the memory records different times – that of the present, the past and that of the memory that prolongs perception of the present moment: the imagination.
See the works of Frederique Bouet
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Plastik, n° 1, mai 2001, Revue du Centre de Recherche en Arts Plastiques (C E R A P), Publications de la Sorbonne.
L’art contemporain au risque du clonage, décembre 2002, Publications de la Sorbonne.
Actes, L’art et le politique interloqués, janvier 2006, éditions L’Harmattan.
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The L’Ayau Farm., Roissy en Brie
National Scene of la Coupole , Melun Senart
Marne la Vallée
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Born in 1957 in Versailles. Lives in Céret (66) and in La Rochelle (17).
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See the autoportrait by Frédérique Bouet
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